ARTISTIC APPROACH
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Oil painting is my preferred medium. The oil dries more slowly, it allows to work directly on the fresh, alla prima. the work, most of the time, is built and defined in one working session.
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Colors, textures and lights are three elements that allow me to model my work in the space that is the canvas.
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The choice of colors, essential elements comes translate the emotional atmosphere. This is, through the choice of colors, to try, very humbly, to transmit to the reader of the painting, a printing from pigments transposed onto the canvas, which becomes the creative work. The colors that appeal to me are the magenta, intense blues, soft greens, raw siennas and burnt shadows.
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With the spatula, through texture and impasto, I try to give amplitude to the painting. Bumps and dips rhythm my work and punctuate the canvas to give it volume.
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The light then settles quietly.
To put light in a canvas is to play with shadows. If the canvas vibrates then I'm happy. If it is inert, I put it aside and I start it again.
Through his imagination, the reader participates through his gaze, in the work inscribed in time.
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His thought manipulates the work to bring out its own interpretation.
The images, taken from majority of the time, virtual reality, experienced by the painter, are transformed according to the blows of the spatula.
Visual space belongs henceforth to the reader and to his own imaginary experience.
For me, the painting if it tries to translate reality, the fact, by accommodating, as humbly as possible, of intent.
The canvas remains a unique object in itself. She only belongs to itself when the painter has defined it for good.
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The painter, if he is not there, it's not only to manifest a artistic vision of the world that he wishes to share with others.
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ARTISTIC APPROACH
​
Oil painting is my preferred medium. The oil dries slowly. It allows you to work directly on the fresh, alla prima. the work, most of the time, is built and defined in one working session.
​
Textures, flat areas, colors, shadows and lights are the essential elements that allow me to model my work in the space that is the canvas.
​
The choice of colors comes translate the emotional atmosphere that inhabits me then. By their specific choice, it is to transmit, from color pigments transposed onto the canvas, a impression, which will belong to the reader of the work.
The colors that appeal to me are the magenta, intense blues, soft greens, the lands of Siena and burnt shadows.
​
With the spatula, through texture and impasto, I try to give amplitude to the painting. Bumps and hollows rhythm my work, punctuate the canvas and give it its volume in space.
​
To put light in a canvas is to play with shadows. If the canvas vibrates, then I'm happy. If it's inert, I put it aside and I'll rework it or start it again another day. She must wait until she is ready to inhabit her place.
through his imagination, through his gaze, the reader will take possession of the painting and bring it to life.
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Visual space belongs to the reader and refers him to his own real or imaginary experience.
For me, the painting, must be part of a significant intention if it wants to speak for itself.
The painter is there, to show his artistic vision of the world that he perceives and wishes to share with others.
The canvas remains a unique object in itself. She only belongs to itself when the painter has defined it and abandons it for good. It will be up to the reader to appropriate or not through his gaze the content of the painting to make his story.
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